Author Cynthia Reeves Explores Relationships, Language and Dreams in Badlands
by Anna Clark
- USA -
There comes a time when a reader is starved for something new.
A lot of tremendous fiction is being published these days, but most people don’t ever hear about it. In a time when big publishers pay to place their titles on the front tables of bookstores like Barnes & Noble and Borders, when book reviews are slashed in most periodicals, when smaller publishers simply don’t have the cash to send their brightest talents out on book tours—then the avid reader tends to hear about the same authors over and over again, while work they might fall in love with slips through the cracks.
I love Cynthia Reeves’ new book, Badlands, winner of the 2006 Miami University Press Novella Contest. Being the work of a debut author and published by a small publisher, I might not have heard of it if I hadn’t attended graduate school with Reeves. The two of us entered the fiction program at Warren Wilson College in Asheville, North Carolina in 2004. Reeves worked on this book as a student, which meant that I was lucky enough to see the beginnings of Badlands. I was drawn to her creative sensibility; her story tells itself not in the traditional “first this, then that” chronology of mainstream fiction. Rather, her characters are developed through the juxtaposition of their dreams and memories with their present lives.
