The 56th annual San Francisco International Film Festival is currently on in the Bay Area. Per usual, there are way too many amazing films, and I regretfully have only seen a few. But this is the story of my life: too many fun things and too little time. I was on vacation the opening weekend of the festival, and then returned home only to be under the weather. On Sunday I tried to make up for lost time by seeing two films.

First up was Rick Prelinger's documentary No More Road Trips? at the Castro Theatre. The work in progress is a documentary that explores the very American tradition of cross country road trips. Prelinger uses vintage home movies filmed by people traveling by car between the 1930's and 1960's to explore the idea that cross county road trips are becoming a thing of the past due to high energy prices and greater access to more expediant air travel. My favorite part of the screening was that the film is silent and the audience is encouraged to shout out questions to Prelinger or make comments to their neighbors. Full disclosure: The guys behind me took this a bit too literally and talked loudly throughout the entire film. Prelinger is continuing to work on No More Road Trips? so there will be future screenings.

I then drove back across the bay to Berkeley to see Big Sur at the Pacific Film Archive. The film is an adaptation of Jack Kerouac novel of the same name. I have a soft spot for anything involving Big Sur, so I was prepared to like the film simply based on subject and filming location. The experience of seeing the film on the big screen in a relatively small theater was very intense. I can't quite articulate the experience, but I felt affected by every moment of the film. When I left the theater I felt like something very significant had happened to me. Big Sur is not perfect; Director Michael Polish could have gone in a different (i.e., better) direction in a number of scenes that were too literal for such an introspective work. And yet, I believe it was one of the most engaging films I've seen in recent memory.

Tonight I will continue to my tradition of seeing every production of a vintage silent film screened with a contemporary live score when I see Waxworks at the Castro Theatre.

I plan to spend tomorrow and Thursday evenings at the festival. It will be a hard decision to choose which films I'll see, but I seem to be on the money with my choices so far. On Thursday evening, I will definitely be at the closing film, Before Midnight, as I am a huge fan of the first two films (Before Sunrise and Before Sunset) in this trilogy. If you're local, here are my picks for the remainder of the festival:

- A Conversation with Richard Linklater at 6 p.m. on Wednesday 5/8 at Sundance Kabuki Cinemas
- After Tiller at 8:45 p.m. on Wednesday 5/8 at Sundance Kabuki Cinemas
- Before You Know It at 5 p.m. on Thursday 5/9 at Sundance Kabuki Cinemas
- Fatal Assistance at 9:15 p.m. on Tuesday 5/7 at Sundance Kabuki Cinemas and at 6:45 p.m. on Wednesday 5/8 at Sundance Kabuki Cinemas
- Habi, the Foreigner at 5:30 p.m. on Thursday 5/9 at Sundance Kabuki Cinemas
- Il Futuro at 9:30 p.m. on Wednesday 5/8 at Sundance Kabuki Cinemas and at 8:50 p.m. on Thursday 5/9 at Pacific Film Archive
- Inori at 6:30 p.m. on Tuesday 5/7 at Sundance Kabuki Cinemas and at 6:30 p.m. on Wednesday 5/8 at Pacific Film Archive
- The Kill Team at 6 p.m. on Tuesday 5/7 at Sundance Kabuki Cinemas and at 6 p.m. on Thursday 5/9 at New People Cinema
- The Cleaner at 8:40 p.m. on Tuesday 5/7 at Pacific Film Archive and at 8:30 p.m. on Thursday 5/9 at Sundance Kabuki Cinemas

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Last year at SXSW, I saw the inspiring film WONDER WOMEN! The Untold Story of American Superheroines. I'm pleased to report that the documentary will be broadcast on PBS tonight at 10 p.m. I can't think of a more uplifting way to recover from tax day!

A year ago, I started planning big life changes. I was going to leave my job, sell my house, and do something else. I didn’t know what that something else was, but I knew I wanted it. I considered many options, and realized that what I really wanted was to not feel tied down and obligated to so many things that didn’t make me happy. I wanted to be in place where I could be my truest self and I could reconnect with the dreams I’d left behind.

Today I have a new job, I just bought a new condo, and in many ways I am disappointed in myself that I haven’t made more radical changes. My new job is far too much like my old job: long hours, unending demands, and too much stress. I’m sad and angry for all the things I miss out on when I’m working, all of the things I don’t have the time or energy to do. And yet, if I’m completely honest with myself, I am also part of the problem. I can’t say “no” and I can’t leave things unfinished.

This spring is what I am considering a new beginning. I recently purchased a new place to live. My original plan was to buy an historic fixer upper and spend months renovating it to the point of perfection. With my current life and job, I had to accept that this wasn’t realistic. So I bought a condo. A lovely, light-filled, spacious space with walk-in closets. Before I moved in, I planned to make a long list of aesthetic changes. Then I caught myself and realized that the space does not have to be perfect from the moment I move in. I own it. I can take months or years to achieve my creative vision. What I need to do to make my life better in this moment, is to move in. The small apartment with poor lighting that I’ve been renting for the last five months had a plumbing failure today. I believe this was the universe reinforcing my decision to move sooner rather than later.

To hold myself accountable, I signed up for an online class with GoMighty titled, “Identifying Your Goals: Make a Life List with GoMighty.” Tonight at the laundromat, I made my preliminary life list. The last – and most important – goal on my life list is, “Make myself, my happiness, and my health my number one priority.” It’s going to be a lot of work to get there. But an earlier goal on my list is, “Write an In Line for Popcorn with Jessica Mosby column each week.” I plan to write about my progress here. This will, of course, include lots of talk about movies as seeing movies and meeting filmmakers is one of the things that makes me happiest in life.

When I lie at bed at night and focus on the things that make me happiest, I envision nesting in my new place. I think about writing in my light-filled office. I see myself walking my dog by the water that I see from bedroom window. I see a place where I can take a step back so I can finally move forward.

In Line for Popcorn with Jessica Mosby is a column about film, literature, culture, initiating change, living a life of “yes,” and everything in between. #inlineforpopcorn

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Today is the last day of one of my favorite film festivals: Berlin and Beyond. Each year the festival screens the best of German cinema at the historic Castro Theater. Today is the closing day of the festival, so if you find yourself in San Francisco I highly recommend you go. I am for one am so excited to see the closing film, This Ain’t California!

The following films will be screening today:

LESSONS OF A DREAM at 11:30 a.m.
BATTLE OF THE QUEENS at 2:30 p.m.
WUNDERKINDER at 5:00 p.m.
THIS AIN’T CALIFORNIA at 7:30 p.m.
Closing Night Party at 9:30 p.m.

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While I knew leaving my job was the right decision, I had unrealistic expectations about what life without my job would be like. I thought that I would suddenly morph into a lady of leisure who productively worked for a few hours each morning, ran errands and exercised in the afternoon, and then saw friends in the evening – all while sleeping at least eight hours a night and keeping an immaculate house. Of course, I would also see tons of movies, read at least a few books a week, and bake treats for those evenings out with friends. The only thing that I’ve actually accomplished during my hiatus is that I have been sleeping at least eight hours a night.

While feeling out of sorts, I realized I needed to stop trying to put my laundry away and responding to the unending flood of emails that I can never seem to get a handle on. What I needed to do was go to the movies! A bit of escapism is exactly was in order to get me out of this malaise.

One of my best gal pals called me and asked if I wanted to see Pitch Perfect at a special screening. I thought she was talking about the new Clint Eastwood baseball movie, so I said yes. Clint’s new movie is actually called Trouble with the Curve, and Pitch Perfect is about singing – not baseball.

While I cannot carry a tune to save my life, have never dreamed of being in a band, and dislike the idea of performing in front of a large, live audience, I love any movie or TV show about singing. I will even suffer through an insufferable show like Glee just for the promise of a few mash-ups with choreographed dances (For the record, I have quit Glee, but I have friends who provide me with regular plot updates as I’m still oddly invested in the characters). When I realized that Pitch Perfect was about an all-girl a cappella group, I knew I was at the right movie. Singing and feminism, yes please!

Pitch Perfect stars Anna Kendrick (of Up in the Air and Twilight fame) as an unhappy, anti-social coed forced to attend college instead of pursuing her DJ dreams in LA. She soon meets the leaders of the college’s all-girl a cappella group (Brittany Snow and Anna Camp) who are recruiting new members to redeem the group after their embarrassing final number at the previous year’s national competition. The Bella’s old guard wants to continue to sing tired 90’s covers, while Kendrick’s Beca wants to remix their set list. Can the girls settle their differences and put together a winning show before their big competition all while remaining a supportive, cohesive unit? I think you know the answer!

Pitch Perfect is predictable, but it is also very enjoyable. The women onscreen are strong, goal-oriented heroines out to redeem their group’s good name on the national stage. Add some fierce musical numbers and actress Rebel Wilson, and you have yourself a solid two hours of fun.

Pitch Perfect is currently playing in theaters nationwide.

In Line for Popcorn with Jessica Mosby is a column about film, literature, culture, initiating change, living a life of “yes,” and everything in between. #inlineforpopcorn

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At the end of June I voluntarily left the only “real” job I’ve ever held.

I know that I was very lucky to have the secure well-paying job with full benefits in the Publishing industry. And yet, I was not happy. I could not sleep, I gained weight, my anxiety was off the charts, I was always sick, and every morning I dreaded the day ahead of me. When I was not working, I mostly thought about the work I should be doing. During low moments, I fantasized about walking out the door, but I could never muster the courage to actually do it. Then a number of events and discussions made me realize that I had to leave. The specifics are not really important, except that when I told my boss I would be giving my two weeks’ notice I knew I had to follow through on that promise.

During the two weeks between giving my notice and working my last day, I cried a lot. I was scared of my uncertain future; angry at the perceived unfairness of how I’d been treated at the hands of the “man”; frustrated with myself for being so loyal to a job that did not return my devotion; and genuinely sad that I was severing my ties with the coworkers who had become friends. I kept telling myself that my job was not the problem with my life, but I could not make the life changes I wanted to make with that job. The real change I needed to make was making my health my number one priority, and the first step was to start sleeping.

I tried to remember the person I was when I started my job seven and half years ago. My first day was two days before my 22nd birthday. I remember everything about that day down to my outfit and how excited I felt to be at my first real job. I planned to work for a few years, save all my money, and then travel the world until I ran out of money. Somewhere between the business trips, sleepless nights, and constant deadlines, I gave up on myself and my dreams. It has not been all doom and gloom and I feel very fortunate to lead the life I do, but I do not know what makes me truly happy.

On my last day, there was a party with two cakes, hugs, and well wishes. When I walked out of the building for the last time, I felt free. The last time I remembered feeling that way was when I was 18. I was starting my second year of college and my parents let me bring my Volvo station wagon back to school. Driving back to my new apartment alone after dropping my mom off at the train station, I realized that I could do whatever and go anywhere I wanted. I had never felt so empowered. So I drove around my small college town for a bit before going home to nap. It was an awesome day!

In Line for Popcorn with Jessica Mosby is a column about film, literature, culture, initiating change, living a life of “yes,” and everything in between.

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One of my favorite film festivals ends today. The San Francisco Jewish Film Festival consistently screens great films, especially documentaries. On Saturday night, I saw the closing night film A.K.A. Doc Pomus and loved it. I promise a full review of the documentary in coming weeks. Today is the last day of the festival and four films – Besa: The Promise, My Dad is Baryshnikov, Off White Lines, and In Case I Never Win the Golden Palm – are screening today at the Piedmont Theatre in Oakland. Additionally three films – Glickman, My Dad is Baryshnikov, and Off White Lines – are screening at the Smith Rafael Film Center in San Rafael. I say, go!

This year’s San Francisco International Film Festival is in full swing! The festival started on April 19 and continues through May 3. I’ve only attended one event – Buster Keaton Shorts with a live musical accompaniment by Merrill Garbus of tUnE-yArDs – and it was so much fun! I love it when current musicians perform original soundtracks while a classic silent film is playing at the historic Castro Theatre.

I plan to attend a number of new films over the next five days. Here are my picks:

Sunday 4/29:
- Diana Vreeland: The Eye Has to Travel at 6:45 p.m. at the Sundance Kabuki Cinemas
- Land of Oblivion at 3:15 p.m. at the Sundance Kabuki Cinemas
- I saw Marina Abramovic’s 2010 MOMA retrospective and it was incredible. I’m so excited to see the documentary Marina Abramovic: The Artist Is Present at 5:40 p.m. at the Pacific Film Archive in Berkeley
- The Law in These Parts at 6:15 p.m. at the Sundance Kabuki Cinemas
- One of my favorite documentaries from SXSW is playing at the SFIFF: The Source at 6:15 p.m. at Film Society Cinema

Monday 4/30:
- Back to Stay at 4 p.m. at the Sundance Kabuki Cinemas
- Leave Me Like You Found Me at 12:30 p.m. at Film Society Cinema
- Off Label at 6:30 p.m. at the Sundance Kabuki Cinemas
- The Exchange at 9:30 p.m. at the Sundance Kabuki Cinemas
- The new film from Marjene Satrapi: Chicken with Plums at 6:15 p.m. at the Sundance Kabuki Cinemas
- Porchlight: True Stories from the Frontiers of International Filmmaking at 9:15 p.m. at the Sundance Kabuki Cinemas
- Where Do We Go? At 3:15 p.m. at the Sundance Kabuki Cinemas

Tuesday 5/1:
- Diana Vreeland: The Eye Has to Travel at 6:45 p.m. at the Film Society Cinema
- Hysteria at 9:30 p.m. at the Sundance Kabuki Cinemas
- Off Label at 3:30 p.m. at the Sundance Kabuki Cinemas
- The Law in These Parts at 2:30 p.m. at the Sundance Kabuki Cinemas
- The Love Song of R. Buckminster Fuller with a live score by Yo Lo Tengo at 7 p.m. and 9 p.m. at SFMOMA

Wednesday 5/2:
- Back to Stay at 9:30 p.m. at the Sundance Kabuki Cinemas
- Off Label at 9 p.m. at the Sundance Kabuki Cinemas
- Chicken with Plums at 12:30 p.m. at the Sundance Kabuki Cinemas

Thursday 5/3:
- This year’s festival closes with Don't Stop Believin': Everyman's Journey at 7 p.m. at the Castro Theatre
- Hysteria at 9:30 p.m. at the Sundance Kabuki Cinemas
- I cannot wait to see Francis Ford Coppola’s new film Twixt at 8:15 at the Sundance Kabuki Cinemas

Tonight Lena Dunham’s new show Girls premiers on HBO. I was lucky enough to see the first three episodes at SXSW, and I think that Girls just might be my favorite new TV show of 2012.

The show follows four twentysomething friends as the navigate life in the big city. There have been a number of comparisons to Sex and the City, which seems obvious given that both shows have four women living in New York City. But Girls is much less flashy and more realistic than Sex and the City (not to say that I don’t love Sex and the City). For instance, in Girls the ladies live in Brooklyn, dress in clothing they could actually afford, and have experiences that are way more reminiscent of “real life.” During the first few episodes there were definitely times when I felt uncomfortable because Girls hit a bit close to home in its realism. Judd Apatow is producing the show, so there are also some great comic moments.

In the Fall of 2010, I interviewed Dunham when her feature film Tiny Furniture opened. I loved that film, and am so happy she has a new project that I’ll get to watch every Sunday for the next few months!

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I am back from SXSW and already hitting another film festival! This weekend is the closing weekend for the 30th annual San Francisco International Asian American Film Festival.

There are so many great films playing this weekend. Tonight, I will be at Surrogate Valentine 2: Daylight Savings at 5 p.m. at Camera 3 Cinemas. This film also played at SXSW, so I’m very excited to be able to see it at home!

Here are my other picks for this weekend:

- In the Family: Tonight at 8 p.m. at the Pacific Film Archive Theater
- Love Crime in Kabul: Tonight at 10 p.m. at Camera 3 Cinemas
- Mr. Cao Goes to Washington: Tomorrow at 7:10 p.m. at Camera 3 Cinemas

Greetings from Austin, TX! I have returned to the capital of the Lone Star state for this year's South by Southwest film and interactive festivals.

You can follow-up my updates throughout the day on Twitter (@jessiemosby). Once I'm home later this week, I will post some reviews and more updates.

But right now I am too busy with festival activities! So far I've seen six films - and enjoyed all of them! There are the documentaries (Dreams of a Life, Wonder Women, and Eating Alabama), the LGBT romantic comedy (Gayby), and the just for fun (21 Jump Street). And then there is my favorite: The premiere of filmmaker Lena Dunham's new HBO show Girls. Over a year ago I interviewed Lena when her fantastic film Tiny Furniture screened at the Mill Valley Film Festival. I've been a fan ever since! Seeing the first three episodes of Girls today was so much fun! I love the tone of the series, and really appreciate how Lena sheds every bit of self-consciousness when she's on camera. I cannot wait to watch the rest of the season! Girls premieres on HBO in April.

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This weekend I will be at German Gems. I'm super excited about this year's festival as I had a great time last year. Such exciting Q&As with filmmakers and actors!

I asked organizer Ingrid Eggers her favorite thing about organizing and running the festival, "Organizing is my least favorite part of this endeavor but when it all comes together it is great to see an enthusistic audience embracing German films." She viewed over 50 German films and picked her top five to screen this weekend.

This is the last year for the festival, so I highly recommend if you're in the Bay Area that you stop by the Castro Theatre today or the Arena Theater tomorrow.

The 3rd i's Ninth Annual San Francisco International South Asian Film Festival starts tonight in San Francisco. Fans of Bollywood (I am raising my hand) will be able to see films through Sunday November 13. This is a great chance to see films on the big screen - including the historic Castro Theater - that rarely get a nationwide distribution in the US.

Here are my picks for the festival:

- Big in Bollywood: Roxie Theater on Wednesday 11/9 at 7:20 p.m.
- Patang (The Kite): Roxie Theater on Friday 11/11 at 7:20 p.m.
- I Am Sindhutai Sapkal (Mee Sindhutai Sapkal): Castro Theatre on Saturday 11/12 at 2:30 p.m.
- A Letter of Fire: Castro Theatre on Saturday 11/12 at 5:10 p.m.
- Delhi Belly: Castro Theatre on Saturday 11/12 at 9:15 p.m.
- Way of Life: Roxie Theater on Sunday 11/13 at 12:20 p.m.
- What is Time?: Little Roxie on Sunday 11/13 at 6:00 p.m.
- Pudhupettai: Roxie Theater on Sunday 11/13 at 7:20 p.m.

Fall in the Bay Area means two things: unpredictable weather and film festivals. Mill Valley just finished (more on that later) and DocFest is in full swing. I have been at one or the other film festival more nights than I’ve been at home, and this won’t slow down anytime soon.

In case you’re interested in joining me, here are my picks for DocFest:

- Back to the Garden (Sunday 10/23 at the Roxie)
- Being Elmo (Saturday 10/22 and Tuesday 10/25 at the Roxie)
- Circus Dreams (Saturday 10/22 and Wednesday 10/26 at the Roxie)
- Donor Unknown (Tonight 10/20 at the Shattuck)
- First Position (Tomorrow 10/21 and Thursday 10/27 at the Roxie)
- How to Start a Revolution (Sunday 10/23 at the Roxie)
- Peep Culture (Saturday 10/22 and Wednesday 10/26 at the Roxie)
- Unlikely Treasures (Tonight 10/20 at the Roxie)
- The Woodmans (Saturday 10/22 at the Roxie)

And don’t forget the parties! The roller derby costume party on Saturday night and the San Francisco closing party is on Thursday 10/27.

This year I have, sadly, missed out on the San Francisco Jewish Film Festival. Last minute travel and work demands have kept me extra busy. I didn't make it to San Francisco or Berkeley for any screenings, but there is still time! Films are playing at the Oshman Family JCC in Palo Alto today (Sunday), and today and tomorrow at the Rafael Film Center in San Rafael. All of the films look so good! That said, I am really hoping to make it to The Matchmaker tomorrow night at the Rafael.

I saw Gone the other night at the Elmwood Theater in Berkeley as part of the Frameline Film Festival. Talking about the documentary still upsets me days later as I keep thinking, "How can such injustice and homophobia exist in today's world?"

The film follows the plight of Kathy Gilleran, a retired police officer from upstate New York, to find out what happened to her son Aeryn, a U.N. employee living in Vienna. Aeryn essentially vanished and has not been heard from or found to this day. Filmmakers Gretchen and John Morning document how the case was mishandled by police who were unabashedly uninterested in an investigation, and Kathy's unending quest to uncover the truth about her son's death.

The film screens tonight in San Francisco at the Roxie Theater at 7 p.m. The filmmakers and Gilleran are expected to be in attendance.

I have a mild obsession with Scandinavian cinema, so I was super excited to see a new Swedish film called Four More Years playing at Frameline. And to make it even better there was a screening in Berkeley, so I didn't even have to cross the bay. Four More Years is a politically charged romantic comedy with a LGBT twist. I don't want to say anything else for fear of revealing crucial plot deals, but it is honestly one of the most enjoyable and wittiest films I've seen in awhile.

Four More Years is playing again tonight at the Castro Theater in San Francisco at 9:30 p.m. Director Tova Magnusson along with actors Bjorn Kjellman and Eric Ericson will be in attendance. Tickets are $11.

One of my favorite Bay Area film festivals, Frameline began tonight and continues through June 26. It's the festival's 35th anniversary, and the selection of films could not be better.

Throughout the festival, I will be writing about my favorite films and experiences at the festival. So, stay tuned!

My top pick for the Another Hole in the Head Film Festival, which is currently on in San Francisco is The Oregonian. The film's final screening is on Thursday June 16 at 7:20 p.m.

The festival's closing film, Grave Encounters will also be playing on Thursday at 9:20 p.m. And of course, there is the closing party on Friday night!

The festival continues through Friday June 17, so go and have fun!

As you know from my Sundance and SXSW coverage, I am a big fan of the midnight movie genre. Who doesn't want to sit in a theater and just have fun for a few hours? The Another Hole in the Head film festival is a whole film festival of midnight movies. Basically a good time every day for two weeks for moviegoers like me! And there are screening that start early enough that I can be back home and in bed by midnight. What generally holds be back from making it a midnight movie is exhaustion and the thought of arriving home at 3 a.m. ready to watch more movies rather than sleep.

Another Hole in the Head started on Thursday and continues through June 17th at San Francisco's Roxie Theater.

Throughout the festival I will be writing about some of my favorite movies and the fun I'm having at the festival. Stay tuned!

Austin is a pretty awesome city that is one part state capital and one part college town. The independent energy of musicians and filmmakers who have strong roots in Austin is a huge part of SXSW (Richard Linklater, please raise your hand.). One thing I really like about SXSW is how local artists are celebrated. On Tuesday night I saw Emily Hagins’ film My Sucky Teen Romance. Hagins is an 18 year old Austin native and this is her third feature film! When I was 18, I wasn’t doing anything nearly as exciting as having my third feature film debut at SXSW to a sold-out theater. My Sucky Teen Romance is a delightful play on the current vampire craze. My favorite part is that the teenagers in the movie are actual teenagers, most of whom attended high school with Hagins. What the film lacks in polish, it more than makes up for in humor and authenticity. And really, it is so much better than many of the comedies that get lucrative distribution deals.

• John Vanderslice on stage at the French Legation Museum. •

As I’m trying to at least experience a taste of the music festival, today I went to a show at my favorite venue in Austin, the French Legation Museum. There are two outdoor stages, lots of lawn space to sit, and food and drink booths. I headed over there to see John Vanderslice play as my friend (and one time WIP audio editor) Jacob Winik is JV’s sound man/tour manager. It was so nice to escape the crowds while working on my tan and listening to a great set! After JV finished, Sean Lennon’s band, The Ghost of a Saber Tooth Tiger, took the stage. I joked to Jacob that Yoko Ono was at the show as she was at SXSW with her own band. Within minutes, Ono was standing next to the stage watching her son perform while a body guard stood watch. In person she seemed even smaller, but really looked exactly like I thought she would. She was wearing a black hat very similar to Sean Lennon’s hat (which he took off to perform), so now I like to think that they go on mother and son hat shopping trips!

Note: I’m sorry for the lack of blog posts. I’ve been fighting an eye infection and that, combined with the insanity of the festival, has made it difficult to post my blog entries. But I will be making this up to you over the next couple days. Promise.

Yesterday was the second full day of the music festival and St. Patrick’s day. The film festival is still going, but the volume of filmgoers has dwindled so it’s easy to get into almost any movie (save for the indie darling The Dish & The Spoon yesterday). Instead of going to movies or interactive panels, the crowds are hitting the bars on 6th street or seeing a show at one of the many official or unofficial venues.

• Pedicab equals rejection. •

On Tuesday night I saw my friend’s The Wrong Words play at the Burger Records show. The venue was a record store a bit off the main drag, and during the 14 hours of music (I stayed for about 2 hours as in 10 p.m. to midnight), the liquor store across the street literally ran out of beer and change. The mayhem that was Tuesday night was nothing compared to last night. I had an idea that things were going to get crazy when I drove by the line for the Strokes free outdoor show at 11 a.m. and it was already snaking down the street. Really, the Strokes? I cannot understand why people would wait all day to see them, even if it was free. Due to the rabid Strokes fans, by 7 p.m. you could literally not make it across the river to see a movie in less than an hour, approximately 50 minutes longer than the drive had taken all week. After being unable to secure a seat in a movie shuttle and being rejected by a number of pedicabs who didn’t want to go that far, I gave up and saw a movie downtown instead. At some point I saw a horse drawn carriage and tried to get a ride, but alas it was full.

• Yes, you can take a horse drawn carriage around Austin. •

In my effort to avoid 6th street and the hordes of music fans drunkenly making their way down the street while blowing cigarette smoke in my face, I have found some awesome food trucks. Food trucks are very popular in many urban areas, but Austin has an insane number of food trucks serving a diverse selection of food. Almost every open lot or undeveloped space has at least one food truck parked there. And they are all tasty, or at least the 10 or so that I’ve tried. After leaving a movie at around midnight last night I was feeling very tired and overwhelmed…then I met up some friends and walked over to an enclave of about 5 food trucks. Two catfish tacos later I was rejuvenated!

Monday afternoon I arrived in Austin, Texas for the annual South by Southwest Film Festival. The film festival is in full swing, the interactive festival just ended and the music is just starting. Basically Austin is the place to be this week! I have dreamed of attending SXSW for about 10 years. I first acknowledged how awesome the festival is after I read an article about John Stamos attending with a film, and I do love him from the Uncle Jesse years. During the fall I started researching the process for receiving press credentials so I could cover the festival for the WIP. Now it’s March and I’m here! I’ve heard that SXSW is a week-long party with great films and awesome shows, and my first day at the festival was straight up bananas!

The festival started on Friday, but I didn’t arrive until yesterday as I was busy driving from my home in the Bay Area to Austin. I stopped along the way in Palm Springs; baseball’s spring training in Phoenix, Arizona; and the jewel of east Texas, Marfa. Each day brought a new adventure and lots of time in the car. Once I arrived in Austin I was exhausted and exhilarated!

• The director and cast of Win Win. •

I wanted to make sure I saw a film last night, so I picked a screening in the largest theater just to be safe. The Paramount seats 1,200 people so I easily secured a seat to see Win Win. The film stars Paul Giamatti and Amy Ryan as a married couple who befriend a troubled teen who happens to be a wrestling prodigy. To further complicate the interpersonal relationships, Giamatti takes over the kid’s grandfather’s guardianship under shady circumstances. During Sundance I had the chance to see Win Win, but just wasn’t that enthused. The description in the film guide just didn’t grab me despite Director Tom McCarthy's impressive resume (The Visitor and The Station Agent). Having low expectations is sometimes the best thing ever. A quarter of the way into Win Win I realized it was so good! I do love sports movies, and Win Win was well done and touching. Giamatti and Ryan (who were at the screening) had fantastic onscreen chemistry, and Alex Schaffer – who is an accomplished high school wrestler in real life – was impressive in his acting debut.

After the movie, I stopped by the Oscilloscope party for their film Bellflower as they are one of my favorite distribution companies. There were donuts served out of a vintage airstream trailer and plenty of keg beer. While munching on donuts, I watched a cricket eating contest (a reference to Bellflower). I then met up with some of my tech friends at the Zenga (as in the Farmville creator) party. The venue was huge, the crowd was the enthused, the well drinks were free, and TV on the Radio was playing on stage. The party Farmville money can buy! Around 1 a.m. I realized that I was too tired to keep dancing and headed back to the hotel to rest before day 2.

Last night the 2011 Sundance award winners were announced. Here's the complete list:

Winner of the World Cinema Special Jury Prize for Documentary Film: Position Among the Stars

Winner of the World Cinema Cinematography Award for Documentary Filmmaking: Hell and Back Again

Winner of the World Cinema Documentary Editing Award: The Black Power Mixtape 1967-1975

Winner of the World Cinema Documentary Directing Award: Project Nim

Winner of the World Cinema Grand Jury Prize in Documentary: Hell and Back Again

Winner of the World Cinema Special Jury Prize, Dramatic, for Breakout Performances: Olivia Colman and Peter Mullan for Tyrannosaur

Winner of the World Cinema Cinematography Award, Dramatic: All Your Dead Ones

Winner of the World Cinema Screenwriting Award, Dramatic: Restoration

Winner of the World Cinema Directing Award, Dramatic: Tyrannosaur

Winner of the World Cinema Grand Jury Prize, Dramatic: Happy, Happy

Winner of the Best of NEXT! Audience Award: to.get.her

Winner of the World Cinema Audience Award for Documentary Film: Senna

Winner of the World Cinema Audience Award for Dramatic Film: Kinyarwanda

Winner of the U.S. Documentary Competition Audience Award: Buck

Winner of the U.S. Dramatic Competition Audience Award: Circumstance

Winner of the Special Jury Prize, U.S. Documentary Competition: Being Elmo: A Puppeteer’s Journey

Winner of the Special Jury Prize, U.S. Dramatic Competition: Felicity Jones for her performance in Like Crazy

Winner of the Excellence in Cinematography Award, U.S. Documentary Competition: The Redemption of General Butt Naked

Winner of the Excellence in Cinematography Award, U.S. Dramatic Competition: Pariah

Winner of the Special Jury Prize, U.S. Dramatic Competition: Another Earth

Winner of the U.S. Documentary Editing Award: If a Tree Falls: A Story of the Earth Liberation Front

Winner of the Waldo Salt Screenwriting Award: Another Happy Day

Winner of the U.S. Documentary Competition Directing Award: Resurrect Dead: The Mystery of the Toynbee Tiles

Winner of the U.S. Dramatic Competition Directing Award: Martha Marcy May Marlene

Winner of the U.S. Documentary Competition Grand Jury Prize: How to Die in Oregon

Winner of the U.S. Dramatic Competition Grand Jury Prize: Like Crazy

Alfred P. Sloan Feature Film Prize: Another Earth

At any film festival, the main topic of conversation is the films. While waiting in theater lines, it’s common to compare notes and freely give advice on the films you think people must see and the films that they can miss. Of course, this is all completely subjective. But I do like to hear other people’s thoughts on films, and it’s especially interesting if we disagree. While waiting in a line over the weekend, I was told by a few fellow critics that I could miss Connected: An Autoblogography about Love, Death and Technology. One specific criticism was that – at 82 minutes – the film was too long. I had these criticisms in mind when I saw Connected at the Sundance Kabuki Theater tonight. I had missed the film at the festival, and was looking forward to attending a 9 films in 9 cities event.

From the first minute on screen, I was absolutely mesmerized by Tiffany Shlain’s documentary. The narrative, which weaves the story of her father’s neurological research and his death with her daughter’s birth and a debate on the effects of technology on mankind, is so original and moving. When the film ended, I was quietly crying in my seat and completely unprepared for the film to end. The film coupled with the post-screening Q&A was totally worth a trip across the bay and the price of admission.

Tonight on HBO2 the documentary Silencing the Song: An Afghan Fallen Star will be premiering. The documentary follows the post-Afghan Star life of Setara - the most controversial contestant from the singing competition show documented in the film Afghan Star.

I'm happy to report that five 2011 Sundance films are currently available to watch on demand through Sundance Selects. I saw These Amazing Shadows - one of the five film available - on Sunday night and was so inspired by the documentary's celebration of film culture that I highly recommend checking it out!

After seeing three movies yesterday, I was ready to see one more before calling it a night. But it needed to be something funny as I had just watched The Last Mountain – an intensely moving and depressing documentary about coal mining in West Virginia. After failing at two attempts to procure waitlist tickets, I got on a bus filled with drunk college kids. The ride to Main Street seemed like an eternity. I then quickly made my way over to Main Street’s Egyptian Theater for the 12 a.m. screening of a Park City at Midnight film. I thought I was seeing Septien. Apparently I can’t read a schedule, because the people next to me in line informed me that we were actually waiting to see The Catechism Cataclysm. And they would know as they were Septien’s producers Brooke Bernard and Ryan Zacaria. Eventually I secured a waitlist seat for The Catechism Cataclysm (victory!), which was a pleasant surprise at 11:45 p.m. I spent the next 81 minutes laughing. The Catechism Cataclysm can best be described a bromance between two misfits with a dash of absurd horror. It was pure Park City at Midnight!

Tonight I am hoping to see Septien at the midnight screening. But if I am not as lucky on the waitlist front, the film will be available on video on demand starting later this week as part of their distribution deal with IFC.

• The Pom girls post-screening. Note the product placement. •

I am admittedly a person who is very influenced by advertisements, although I rarely act based on said advertisements. For instance, if I was in the market for a luxury car, I would seriously consider buying a Lincoln solely based on Mad Men’s John Slattery’s seductive commercials. But I have no plans to buy a luxury car any time in the foreseeable future. That said, when I left The Greatest Movie Ever Sold I seriously contemplated going to the grocery store and buying a fancy Pom pomegranate drink – you know, just to see what the fuss was about. But a purchase was not necessary, because as I made my way through the parking lot I was greeted by some Pom ambush marketers who happily handed me an ice cold Pom. And let me tell you, it was refreshing.

Last night I walked back to my hotel around midnight. It was lightly snowing, the streets were filled – but not as crowded as past years – with people looking for a party or waiting on the street to get into the best parties. Some dudes were yelling “bro” at one another, while girls in skimpy outfits navigated Park City’s icy streets in heels and “ambush marketers” did their ambush thing. I was exhausted and thinking about how early I needed to wake up today to make a morning movie.

If you are not in Park City for the festival, Sundance might be coming to you. On Thursday January 27th, Sundance will be bringing 9 films to 9 cities. I am particularly excited about Connected coming to San Francisco’s Sundance Kabuki Cinemas. I can’t promise the glitz and celebrity of Sundance will be exported along with these 9 films, but I am confident that the spirit of independent filmmaking that makes Sundance Sundance will make the trip.

New Frontier has a new venue this year. Instead of being on Main Street, the installation portion of Sundance has moved to historic Miners Hospital on Park Avenue, which is totally walkable from Main Street. This afternoon I found myself with a free moment and decided to check out the new location and expanded selection of installations that include art, film, technology, and performances. When I arrived at the new location I was pleasantly surprised to see a food truck and coffee stand. Apparently, even Sundance can’t escape the ubiquitous food truck. While I am a fan of the convenience of the food truck, 15 years ago when my dad and I were eating from a taco truck parked at our local gas station I would not have anticipated that food trucks would take the hipster world by storm. Anyway, I was very excited to see James Franco’s multimedia installation Three’s Company: The Drama. As long time readers know, I will see anything the ever prolific James Franco does. As a fellow feminist, I was impressed by the transmedia documentary Raw/War by Lynn Hershman Leeson, and am hoping to see her documentary film !Women Art Revolution this weekend.

And the best part of New Frontier? No tickets required. Each day 10:30 a.m. to 8:30 p.m. anyone can see the installations, building capacity withstanding. As I continue to battle the waitlist lines (per usual, the waitlist is winning), just walking into New Frontier today was a welcome respite.

Yesterday was the official start of the 2011 Sundance Film Festival. I am here in Park City for the fourth year covering the festival for the WIP. Every year I arrive in Park City, check into the Star Hotel, and then wish I spent the last few weeks getting organized for the festival. While I had spent countless hours reading up on films, studying the schedule, and drafting a viewing schedule, it never feels like enough.

After I received my press credentials, I got up close and personal with movie guide and schedule. I requested tickets to two public screenings – Miranda July’s The Future and Morgan Spurlock’s The Greatest Movie Ever Sold – and then made my way back to Main Street for the annual press conference at the Egyptian Theater. Robert Redford was there with Sundance Institute Executive Director Keri Putnam and Sundance Film Festival Director John Cooper to discuss this year’s festival and the other work being done by the Institute. Sundance received over 10,000 submissions to this year’s festival, and Redford declared, “I love all the films at this festival!” During the Q&A there was an awkward moment when an audience member asked Redford if he had any plans to retire. Redford, whose hair never disappoints, responded “I am going to die, but I haven’t thought about retiring.”

Post-press conference, my wait in the waitlist line was not successful as I did not get into the Harry Belafonte bio documentary Sing Your Song. And Harry Belafonte was at the premiere! Fortunately, my disappointment was abated by the Day One Party at the Legacy Lodge.

If you are looking to see some interesting foreign films in the Bay Area this weekend, German Gems is being held at the Castro Theatre tomorrow and Sunday.

Every film sounds very interesting, and I will definitely be there on Sunday seeing Celebration of Flight and David Wants to Fly.

On Monday I'll post a full report of the festival!

Last weekend I had the pleasure of attending the annual Celebration of Craftswomen show in San Francisco. The show continues this weekend at the Herbst Pavilion at Fort Mason. From 10 a.m. to 5 p.m., the Bay Area's most talented female artists will be selling their handcrafted goods. This was the second year I've attended the Celebration of Craftswomen (check out my coverage from last year), and it's so great to have an outlet to buy handmade holiday gifts directly from the makers.

Here are some of my favorite vendors from this year's show. And don't fret if you can't make it to San Francisco this weekend, many of the artists sell their goods online.

I bought a few pieces of Village Clayworks' pottery for holiday gifts. Lucky for you, the pieces are available on Etsy.

I want to buy all of Octavia Bloom's jewelry featured on her Etsy page, especially these hoops.

Last year I discovered Gaslight's beaded jewelry and I was so excited to see them again this year. I am so in love with everything they make!

As far as holiday decorations go, I like handmade pieces that have a folk art feel. This year I discovered Willow the Wisp's wood carvings, which are available on Etsy.

The incredible rescue of the Chilean miners trapped in a collapsed mine has reminded us of the reality that dangerous mining is the only way to extract many natural resources. The history of mining around the world is a subject filled with extreme wealth, complex human stories, and tragedy. The new film Butte, America chronicles the incredible history of of Butte, Montana which was once known as the "Richest Hill on Earth," but eventually the prosperity faded and the legacy of mining laid waste to the environment.

Tonight Emmy-nominated Producer/Director Pamela Roberts and Co-Producer/Co-Writer Edwin Dobb will be in San Francisco at a special screening of Butte, America at the Victoria Theatre (2961 16th Street). The screening begins at 8 p.m. and tickets are $15 ($10 for students). There is also a pre-screening reception with music by the Gas Men. Tickets to the reception and film are $25 ($20 for students).

One of my favorite documentaries is premiering on HBO! Monica and David follows the two title characters, who both have Downs Syndrome, as they start their life as a young married couple. The film, which was made by Monica's cousin Alexandra Codina, is an intimate look at two people with a disability who nonetheless move into adulthood with a fierce sense of love and independence. I especially liked the emphasis on the importance of their families support, even if at times it bordered on smothering.

I saw Monica and David at Tribeca where it won the award for best documentary film - an honor that was much deserved.

The film premiers at 8 p.m. on HBO tonight and will be rerun in the coming days.

If you are in the Bay Area this weekend, you should check out a great new documentary that is opening at the Balboa Theater. Whiz Kids follows three teenagers as they compete in the Intel Science Talent Search. Director Tom Shepard will be at the 7 p.m. and 9 p.m. screenings tomorrow night for a post-screening Q&A.

Today at 5 p.m. PST I will be on KRXA talking about the documentary Mine! The director, Geralyn Rae Pezanoski, will be on the show too! And you should call in to chat!

Tonight the 2010 Academy Awards are announced! Some of my favorite films that I reviewed for The WIP are in contention. I'm so excited to see if An Education, The Cove, or Burma VJ wins an Oscar! The Documentary Features category is so competitive, but I'm rooting for The Cove!

In anticipation of the Oscars, I will be on KRXA AM 540 tomorrow at 5 p.m. PST talking about the Academy Awards and my favorite films of 2009! If you don't live on the Central Coast, you can listen online!

This year’s Sundance Film Festival officially ended yesterday. The winners were announced on Saturday night, final screenings were held, and then everyone left town until January 2011.

At this year’s festival I saw 14 films. Not too shabby, but I would have like to see more. I’ve long given up trying to see every film, and each year I carefully plan out my days to see as many films as possible (scheduling over five each day is impossible, and three is more realistic). So, here are the top ten films I wish I would have seen.

1. Howl
2. happythankyoumoreplease (Audience Award: Dramatic)
3. His & Hers (World Cinema Cinematography Award: Documentary)
4. The Red Chapel (World Cinema Jury Prize: Documentary)
5. 8: The Mormon Proposition
6. Son of Babylon
7. Obselidia (Alfred P. Sloan Prize and Excellence in Cinematography Award: Dramatic)
8. Waste Land (World Cinema Audience Award: Documentary)
9. Smash His Camera (Directing Award: Documentary)
10. I'm Pat ____ Tillman

I’m already looking forward to Sundance 2011!

Two of my favorite directors, who happen to be awesome women, premiered their new films at Sundance: Nicole Holofcener screened Please Give and Lisa Cholodenko debuted The Kids Are All Right.

• Catherine Keener and Oliver Plattat in Please Give. Photo taken by Piotr Redlinksi © 2008, Property of Sony Pictures Classics. •

• The whole gang sitting down for lunch in The Kids Are All Right. Photo taken by Suzanne Tenner and courtesy of the Sundance Film Festival. •

Like Holofcener, Cholodenko creates some of the best female characters around! Her latest film The Kids Are All Right was one of my favorite films of the festival! In the course of 104 minutes, I laughed, cried, and then laughed some more. Annette Benning and Julianne Moore play a lesbian couple whose teenage children find their sperm donor (Mark Ruffalo). Benning and Moore have great chemistry as a middle-aged couple threatened and confused by Ruffalo’s introduction into their lives. Cholodenko's script and direction perfectly capture the cultural zeitgeist! The Kids Are All Right is absolutely charming!

What makes Sundance so special is the access to filmmakers. My favorite part of the festival is the post-screening Q&As with directors and casts. There is just something so interesting about hearing the “talent” discuss their creative process, and a charming antidote about on-set tomfoolery never hurts.

In their respective post-screening Q&A, Ruffalo and Hoffman both acknowledged that the fun in directing your own movie is that you get to pick your own cast, and therefore work with your friends. This creative freedom made both actor/directors almost giddy post-screening. Working with your friends on a project you truly believe in sounds likes a pretty good gig!

In an unexpected celebrity sighting, as I was leaving the theater after seeing Sympathy for Delicious, I saw Ron Livingston of Office Space fame. He seemed a bit crabby as he was looking for a restroom. Or maybe it is just disconcerting having people stare at you thinking “I know that guy is famous for something” as you’re trying to find a restroom. Just as I realized who Ron Livingston is, he was whisked behind a black curtain by a volunteer. Oh to be famous!

* Movie posters courtesy of the Sundance Film Festival.

• Matt Bush and Sean Marquette in HIGH School. Photo by Neil Jacobs, Still Photographer. Courtesy of the Sundance Film Festival. •

• Michael Chiklis in HIGH School (note the hair and moustache). Photo by Neil Jacobs, Still Photographer. Courtesy of the Sundance Film Festival. •

Now it’s time to go back to some serious documentaries and dramas…

Tonight, while walking down Main Street back to my hotel, I felt particularly inspired by the creative energy of the festival. There is something truly remarkable about seeing great art in a space with hundreds of other people whose reactions only enhance your experience. I love the sound of a crowd roaring with genuine laughter, or a collective uneasiness as everyone holds their breath fearing what will happen next. Seeing a movie with an engaged audience is an experience that cannot be mimicked watching a DVD at home alone, trust me.

• Director Josh Fox in Gasland. Photo courtesy of the Sundance Film Festival. •

But I restrained myself and saw another documentary instead.

I have been looking forward to Diego Luna’s directing debut Abel for weeks. In his endearing opening remarks, Diego Luna admitted to being extremely nervous for his film’s first screening with an audience. Since the Eccles theater seats over 1,200 people, and the place was packed, it was quite a coming out party.

• The cast and crew of Abel at tonight’s premiere. Photo by Jessica Mosby. •

• Director of the Sundance Institute Documentary Film Program Cara Mertes; CEO of the Skoll Foundation Sally Osberg; Nobel Prize–winning economist Muhammad Yunus; and To Catch a Dollar Producer/Director Gayle Ferraro. Photo by Jessica Mosby. •

It’s easy to get caught up in the glitz and the glamour of Sundance. While walking to the Canada party (as in a party to celebrate Canadian films at the festival), I had to walk around a crowd trying to catch a glimpse of The Runways’ stars, Kristen Stewart and Dakota Fanning, through the Bing Bar’s large glass windows. Waiting outside in the cold just to see a celebrity at a film’s premiere party is not how I want to spend my Sunday night. But to each his (or her) own!

At the To Catch a Dollar press conference today I was in the same room, and actually rather close, to a real celebrity: Nobel Prize–winning economist Muhammad Yunus. The press conference was particularly inspiring as Yunus spoke proudly of the documentary, which chronicles his first American branch of the Grameen Bank in Queens, New York. The attendees (Sally Osberg, CEO, Skoll Foundation; Cara Mertes, Director, Sundance Institute Documentary Film Program; and Gayle Ferraro, Producer/Director of To Catch a Dollar) all spoke of exciting new collaborations between social entrepreneurs and documentary filmmakers. Ferraro developed To Catch a Dollar as part of the Sundance Institute Documentary Film Program, and it might just be the first film in a new genre of documentary films focused on social entrepreneurship. And Muhammad Yunus might just be my most exciting celebrity sighting of the festival!

If you can't make it to Park City for the annual Sundance Film Festival, festival films are now available to watch home! This is so exciting!

YouTube has partnered with the festival to make feature films available for $3.99 per movie. The films are available until January 31st. In addition to films from this year's festival, 2009 Sundance hits are also available - including The Cove!

And for cable subscribers, additional 2010 Sundance films are available on-demand. I recommend the awesome documentary The Shock Doctrine.

Now you don't even have to leave your house and brave the snow to watch the films that make Sundance such an amazing and thought-provoking experience!

I say this every year, but there are just too many movies to see! Add the parties, press conferences, and discussions, and you barely have time to eat and sleep! Friday morning, it started snowing and it hasn’t stopped. I, thankfully, bought new snow boots, which makes trudging from place to place much easier. While other people walk around the slush and ice puddles, I walk right through without a second thought.

• Snow falling on Main Street. Park City, Utah. Photo by Jessica Mosby. •

The snow has also meant that fewer people are frequenting Main Street during the day (my celebrity sightings have been rather weak this year) and the lines for parties are not nearly as long as previous years. I actually made it into the GEN ART party Friday night after waiting for less than 10 minutes, although it felt much longer because I was waiting in the snow and couldn’t feel my hands. Part of the wait was spent near Ian Ziering of Beverly Hills 90210 fame. Or just “Ian” as he is referred to by members of his entourage, as in “Yeah, we’re at the GenArt party with Ian…it’s the only party worth being at tonight.” Who knew, Ian Ziering still had an entourage? Once I was inside and warm, I found myself sandwiched between Ian Ziering and the band The Fray, that is until a bearded member of the Fray made a path for me.

• Too many films! Photo by Jessica Mosby. •

Between celebrity sightings, I’ve seen six films. This is fewer than I had planned and hoped to see. My screening schedule has been thwarted by my inability to get a waitlist ticket (Waitlist: 4, Jessica: 0). I have a theory that the snow is driving more people into the theaters, thus making waitlist tickets very hard to come by. At least I take solace in the fact that the New York Lounge always has fresh bagels, popcorn, and cider to help me recover from the cold and my waitlist rejection. After having completely given up on seeing HOWL and the film's star, I saw James Franco at another screening. And yes, he is just as charming in person!

Documentaries are having a particularly strong year at the festival, and I’ve had the good luck to see my top picks. My two favorites thus far are Restrepo and Waiting for Superman. I can’t stop thinking about Restrepo; footage of Afghanistan and the daily life of American soldiers stationed there is so incredible. The fact that the camera person survived filming, when some of the American soldiers captured did not, makes the documentary all the more extraordinary. The film is so intense and so worthwhile.

Thanks to an early distribution deal, Waiting for Superman is one of the most talked about documentaries of the festival – and it totally lives up to the hype. The documentary takes a candid look at the American public school system’s failings while balancing profiles of individual students with input from a wide spectrum of educators, journalists, teachers’ unions, and education-minded intellectuals. Post-screening, I was surprised at how moved and emotional I felt leaving the theater. Waiting for Superman might just be the call to action for America’s public school system.

Tomorrow brings another day of exciting films! I’m feeling a bit more confident that it might be my lucky day in regards to the waitlist!

• Festival Director John Cooper and Sundance Institute President and Founder Robert Redford at the annual press conference. Photo by Jessica Mosby. •

Today marks the first official day of the 2010 Sundance Film Festival. I am in Park City with my press credentials and new snow boots! Today was mostly spent tending to business. I picked up my press packet, spent hours finalizing which films I’m going to see, and attended the annual press conference with Robert Redford.

Unfortunately, I wasn’t able to see any films. The two opening night films – HOWL and Restrepo – were both sold out and the waitlist was a bust. But I have plans to see both films over the weekend, so that eases the disappointment.

After realizing that I wasn’t going to see any films tonight, I strolled Main Street weighing my options. I was pleasantly surprised to find Joseph Gordon-Levitt at New Frontier on Main talking about his project (hitRECord.org) and introducing himself to everyone as “Joe.” So charming.

Tomorrow (January 21) marks that start of the 2010 Sundance Film Festival! I will be there for the third year in a row. So, please check back daily for regular blog updates!

• Daria Salus’s jewelry. •

• Gaslight’s hand-beaded clutches. •

• J. Brooke Patterson’s egg ornament. •

* All photos by Jessica Mosby.

Tomorrow (Sunday November 29), I will be attending the 31st annual Celebration of Craftswomen in San Francisco at the Fort Mason Center. It is a juried event, so I’m looking forward to some awesome arts and crafts at over 200 booths run by women! The event benefits The Women’s Building of San Francisco.

Expect a full update later this week!

Bay Area filmmaker Jonathan Parker’s latest feature (Untitled) captures the art world and all the accompanying pretensions at its funniest.

Adam Goldberg plays Adrian, a lovably grumpy avant-garde composer who lacks a fan base. That is until he meets ridiculously affected gallery owner Madeleine (Marley Shelton). Soon she’s his number one fan and promoter. But love, like trends, can be fleeting when the illusive next “big thing” is on the horizon.

Over email, Parker and I discussed low-budget filmmaking, the unforgettable taxidermy Madeleine shows in her gallery, and what inspired his sardonic take on art collecting.

(Untitled) is currently playing in theaters.

I really enjoyed the film, but I initially found the title rather confusing. Why did you title the film (Untitled)?

(Untitled) is the title of a lot of contemporary art works. You often see it on labels in museums and galleries, accompanied by the name of the artist and the year the work was created. There were a few suggestions to change the title due to the difficulty of searching online, but we had lived with it for several years and felt it had a certain elegance. I hope it is not too confusing.

What inspired you to write and direct a film that cleverly satirizes the art world, specifically what is considered art?

We started with the idea of Adam’s character – a difficult guy whose music is difficult. I spent many years as a musician (I got into film through music and have experienced many of the live performances depicted in the film), and wanted to do a story about a classically-trained composer who very seriously pursues music that is heard by very few. What keeps him going? Thomas Mann’s “Dr. Faustus” is about a similar character (also named Adrian) whose revolutionary musical theories are based on Arnold Schoenberg’s. It’s a character type you encounter not infrequently in that world. The difficult personality may be a self-defense mechanism masking a deep insecurity about whether their work has any merit or not.

We then set about contrasting the musician’s prospects (very little money) with those of a contemporary artist working in the moneyed world of contemporary art. I grew up in an artistic house. My mother, Gertrud Parker, is an artist and founded a small museum in San Francisco (Museum of Craft and Folk Art). But it was my college-age son’s pursuit of art and interest in contemporary art that got me going to a lot of galleries and art markets. I became curious (and somewhat annoyed) as to why wealthy collectors were spending so much on certain types of art and how the mysterious gallery system worked. I noticed a striking difference in the motivations of the collectors (social connections and investment) and the artists who created the works (loftier artistic goals). It struck me as a good comic set-up.

How did your own experiences as a musician and art collector contribute to writing (Untitled) with Catherine di Napoli? Specifically the idea that creating art and music for profit, or at least to make a living, is somehow less artistic than making art and music purely as creative pursuits.

I don’t agree that creating art for profit is less artistic than making it for purely creative reasons. I don’t think specific artists or musicians have much of a choice regarding that. One does what one does, and whether it’s profitable or not depends on the nature of the work. The amount of creative people who are fortunate enough to make a living from work that they would do anyway even if they were not getting paid for it is pretty small. That has never been my circumstance. I make a living from non-artistic pursuits.

What inspired Adrian’s (Adam Goldberg) compositions and the art shown at Madeleine’s (Marley Shelton) gallery? Do you have an interest in taxidermy?

The composer, David Lang, and I were parodying certain contemporary music compositions with Adam’s performances. These were augmented by Adam’s actual playing because it was the only way to shoot those scenes. Regarding the art, all of the pieces in the film are specific parodies of certain artists or conflations of multiple artists. Taxidermy, as a material, came about somewhat by accident because the young artist Kyle Ng, who I approached to make the Vinnie Jones character’s art, happened to have a taxidermy collection and his own private taxidermist. The concepts of most of those pieces were developed by my son, Sam Parker, and then executed by Kyle.

Adam Goldberg and Marley Shelton are very well cast and have great chemistry. How did both actors become involved with the film?

We approached Adam for the part not just for his acting ability but because of photographs I saw of him at a film festival looking extremely annoyed. It was the right countenance for Adrian. Adam then suggested Marley who he knew but had never worked with. The whole cast had excellent chemistry together, which is mostly just luck.

I had read that (Untitled) was made on a relatively small budget, and yet I found the film to be rather posh, particularly Madeleine’s clothing, gallery, and apartment. How did you achieve this tone on a smaller budget?

It wasn’t easy. Our DP, Svetlana Cvetko, obtained a very favorable deal from Panavision to use the Genesis HD camera, which had never been used on a low-budget show. We then decided to shoot in a wide-screen format to make it look more expensive. Marley’s personal stylist was able to obtain some of the high-end designer clothes gratis. The gallery is a set built in a Brooklyn warehouse. The art in her loft was made for the movie, very inexpensively, as parodies of actual pieces.

What is next for (Untitled) and for you as a filmmaker?

(Untitled) is rolling out to a number of big cities. It opened last week in the SF Bay Area, Washington DC, Dallas and others, and will open this weekend in Boston, Philly, Seattle, Atlanta, and the following week in Minneapolis and Houston. I’m heading to Germany tomorrow for its foreign festival premiere in Mannheim – Heidelberg.

Catherine and I are working on our next script which is set in the California Gold Rush. It’s kind of a comic version of There Will Be Blood.

In honor of Veterans Day, PBS's POV series will be broadcasting The Way We Get By. The documentary is just so good, and very thought-provoking. If you have the chance, I do recommend checking the documentary out!

The San Francisco Documentary Film Festival (aka DocFest) started on Friday in San Francisco. Screenings are at the Roxie Film Center in the Mission. The Roxie serves the best popcorn out there! And, I am an aficionado of movie theater popcorn.

The lineup at DocFest is awesome! I personally recommend, Homegrown, Mine, and Proceed and Be Bold! But really, you can’t go wrong with any independent documentaries of this caliber!

The last week has been filled with long nights sitting in the dark watching amazing films. I am writing this final Mill Valley Film Festival update from a café next down the block from the Smith Rafael Film Center in San Rafael between screenings. This morning I saw my favorite film of the festival (for a second time), Mine. I can’t stop thinking about The Private Lives of Pippa Lee, Up in the Air (George Clooney is such a charmer!), and Red Cliff (John Woo spoke before the screening; the man’s passion for this film is infectious). I will be attending the festival’s closing screening of Young Victoria with Emily Blunt in a few hours. I’ve already seen the festival’s other very well-done closing film, Looking for Eric. One of the best parts of film festivals is the Q&As! Even better if an hour or more is devoted to a single filmmaker/actor/actresses career, as was the case with the 70 minute discussion with Seymour Cassel on Wednesday! I just love hearing people talk about their films!

Now on to The San Francisco Documentary Film Festival (aka DocFest)! It will be another week of non-stop movies for me (i.e., the best kind of week)!

My lack of posts reflects the time spent in theatres, and therefore offline. On Saturday, I saw the truly original documentary Breath Made Visible. The film’s subject, Anna Halprin, was even part of the post-screening Q&A. And she looks amazing, especially when you consider that she is an octogenarian! I then saw Soundtrack for a Revolution, followed by Concert for a Revolution! The Blind Boys of Alabama were awe-inspiring; they literally had to be pulled, dancing the whole way, from the stage by their entourage at the end of their set.

On Sunday, I hit two film festivals – MVFF and the Oakland International Film Festival! I started off the day at Homegrown, a very motivational and thought-provoking environmental documentary. If I had a yard, I would totally start an urban homestead just like the film’s principal subjects, the Dervaes family. After leaving the MVFF, I went home to Oakland to attend the 8th Oakland International Film Festival. I screened the new documentary Faire: An American Renaissance. Having never been to a Renaissance Faire, and having frequently made fun of my mom for attending Faires and admitting to having a good time there, I surprised myself by turning to my friend Amelia post-screening and saying – with no hint of irony – “Let’s go!” Expect to see me at a Ren Faire sometime soon!

My picks for the rest of the week include one of my favorite films of 2009, Barking Water. The film screened tonight, and will again on Thursday night. I was fortunate enough to discover director Sterlin Harjo at a screening of Four Sheets to the Wind at the 2007 MVFF! The Horse Boy (reviewed by The WIP as Over the Hills and Far Away) is screening tomorrow and Wednesday. Tomorrow evening, I will be interviewing director Michel O. Scott. I can’t wait!

The annual Mill Valley Film Festival started last night. The MVFF makes October one of my favorite months! For ten days, I get to see amazing films every evening (and all day on weekends!), meet incredible filmmakers, and see celebrities! I’ll be blogging almost every day from the festival!

At the opening party last night, I saw Clive Owen! And let me tell you, he is even dreamier in person! I’ve already seen An Education, which is playing tonight at the festival, and it is such an enchanting and wonderful film that I can’t stop thinking about!

Tickets are available to the general public at very reasonable prices. So, if you live in the Bay Area, do check it out!

Last Sunday at the local farmers market, I learned of the Oakland Underground Film Festival. The festival is this weekend (9/25 to 9/27). One of my favorite films of 2009, Big River Man, is closing the festival! Actually, all of the films screening this weekend look so interesting! And I'm so excited that my town, Oakland, now has an underground film festival!

I’m excited to report that the following films I’ve reviewed for The WIP are coming to (or already at) a theatre near you!

- Adam - Currently playing in limited release
- Afghan Star - 8/21
- The Cove - 8/7 (you can also check out The Cove team on Fresh Air)
- No Impact Man - 9/4
- Earth Days - 9/11
- Over the Hills and Far Away (now called Horse Boy) - 10/16
- Handmade Nation – Currently playing in select cities and the DVD will soon be available at BuyOlympia.com

I am happy to report that Afghan Star was featured on Oprah yesterday!

And, Made in America: Crips and Bloods is premiering on PBS this evening.

I'm excited to post that A Man Named Pearl will be shown on HGTV. If you have cable, you should try to check it out!

Happy International Women's Day!

On Thursday night I was fortunate enough to see A Powerful Noise! The film profiles three women from three different parts of the world: Hanh of Vietnam, Nada of Bosnia, and Jacqueline (aka “Madame Urbain”) of Mali. Hanh, Nada, and Madame Urbain all run community-based organizations that improve the lives of women. Each woman is so incredibly inspirational!

I often find myself overwhelmed by daily news reports; the world’s problems seem so vast and overwhelming. But after leaving the movie, I felt a renewed sense of optimism. Individual women do have the power to change the world!

This Thursday, March 5th, A Powerful Noise will be shown at 450 theaters nationwide! The event is part of International Women’s Day. I will be attending the screening and townhall discussion in Emeryville, CA. It will be an awesome experience, so if you're free on Thursday find a screening near you!

This weekend is the closing weekend of San Francisco’s IndieFest. If you’re in the Bay Area, I highly recommend that you find time to see a great independent film! Screenings are at San Francisco’s Roxie Cinemas or Victoria Theater, or Berkeley’s Shattuck Cinemas.

A few weeks ago I attended a screening of Trouble the Water, which I reviewed in my most recent article for The WIP, at San Francisco’s Sundance Kabuki Cinemas. I'd never been to the theater before, and was very impressed! The 11 a.m. screening I attended was sold-out, so I recommend arriving early (it makes me so happy when 11 a.m. screenings of documentaries are sold-out!). The theater has a bar and restaurant, so I’m planning an upcoming dinner and movie night.

• The snow is not the ideal place to keep your beer cold. Photograph by Jessica Mosby. •

I talked to a lot people at this year’s festival. I exchanged business cards, discussed films, and generally attempted to be sociable. I even made a few new friends who I hope to see again! It was great to have other people to attend screening with, especially when they saved me a seat!

For all the fun, films, and friends, Sundance is also place to be humbled. Before the festival, I mentioned in a purposely nonchalant manner to anyone that would listen that I would be out of town at Sundance – the film festival! People were impressed, or at least feigned enthusiasm. Once I arrived in Park City, I put proudly wore my enormous credentials outside my coat for everyone to see. My first night out on the town I lived it up with free drinks and food. I even received some SWAG, albeit them odd and totally useless things. And I received some emails informing me that I was on the guest list for a number of parities. Oh yes, I was feeling rather good about myself!

And then I was smacked down, so to speak. It all started on the first Friday night (i.e. Day 2). Before going to a late screening, I decided that I needed some free food and drinks. I went to one of my favorite sponsored venues, a place that had welcomed me with open arms the night before; I’d even received a velvet bag! I confidently walked up to the door, my credentials very visible, and was promptly asked if I was on the list for such and such event. I was not on the list. But before I could be formally rejected, some guys interrupted asking about the party for Brooklyn’s Finest (a new Richard Gere movie), which was happening upstairs. I quickly hurried away.

I consoled myself with the fact that I was on the guest for parties later that night! I would surely get into those parties, and then bask in the glow of celebrity.

Later Friday night my new friends and I hit Main Street with nothing but the world in front of us. We strolled up to the first party only to find a long line. We waited. I told the bouncer, “I’m on the list.” We waited some more. Finally we (and the 50 other people outside) were told that the venue was at capacity, and we’d have to wait. My friends and I moved on.

A few stops later we ended up at a party where the drinks were not free and the sponsor was unknown. Before leaving we noticed a girl standing topless in the middle of the party having her chest painted (think carnival face painting). The fact that she wasn’t wearing a shirt and being painted was confusing, especially because she was alone in this artistic endeavor. I turned to my friend and said, “At least she’s wearing pants.” My friend replied, “The pants are painted on. She’s naked.” Let me tell you, those were some very detailed oriented pants someone painted on her.

For a moment I felt like Don Draper of Mad Men in the Palm Springs episodes (Mad Men was on my mind after seeing the advertising documentary Art and Copy). I felt like I was going down the rabbit hole, and half expected to see Hugh Hefner hanging out in a nearby grotto. Standing naked in a room full of people staring at you is very degrading – and really bizarre. And it’s definitely not putting the focus on films.

• Revelers wait in line on Saturday night hoping for a good time at Park City’s many Sundance related parties. Photograph by Jessica Mosby. •

But there’s always Sundance 2010!

The winners of the 2009 Sundance Film Festival were announced this evening! The list of awards makes me wish I could have seen every film at the festival! Hopefully the films that I missed (but really wanted to see!) will be in theaters in the next few months.

I was so happy to see that the following films were honored: The Cove (Audience Award: U.S. Documentary), Afghan Star (World Cinema Audience Award: Documentary and World Cinema Directing Award: Documentary), Paper Heart (Waldo Salt Screenwriting Award), Big River Man (World Cinema Cinematography Award: Documentary), Good Hair (Special Jury Prize: U.S. Documentary), and Adam (Alfred P. Sloan Prize).

You can see the full list of winners here.

Tomorrow I will post my final blog for Sundance 2009!

Tuesday's Inauguration was the most watched, and talked about, screening – at least for a day. The excitement of President Obama taking office was, unfortunately, tempered by my first day of mediocre films. I started off the day with a lunchtime screening of The Informers. I had read about the film in the New York Times, and the cast/plot sounded interesting. I should have remembered that I don't like Bret Easton Ellis books, or films based on his books. It would have been great if I remembered this before an usher showed me to a seat in the middle of a row very far from the exit. At film festivals, as opposed to theaters I frequent in my everyday life, it is acceptable to walk out of movies because you can just walk right into another (hopefully better) movie; I always try to sit by the aisle near the exit, just in case I want to leave mid-movie. Unfortunately, given my seat, I had to endure the entire disaster that was The Informers. When the film finished, the lady next to me said, "I wanted to leave, but I couldn't find my coat."

• Films aren’t the only way to make it big during Sundance. This young troubadour hopes to find fame, or at least sell some CDs. Photograph by Jessica Mosby. •

My streak of disappointing films continued with Earth Days, which is a history of Earth Day and the American environmental movement. The documentary was selected as the closing film at this year's festival. The film is not bad, just very boring. And it ends with President Reagan's election to office. I walked out of the theater wondering if nothing of importance has happened to the environmental movement in 28 years. Films about the environment were very popular at this year's festival, and Earth Days was just not as interesting or original as The Cove, The End of the Line (which was the high point of my Tuesday), or No Impact Man.

When I walked out of Earth Days, I saw some of my friends who persuaded me to see Dare. From the film's description in the film guide, I assumed it would be in the vein of the High School Musical franchise. I have not seen any of the HSM films, but I know they are filled with fancy free plot lines – and that was just what I needed! Dare could not be described as whimsical or fun, it's much for more in the vein of Dangerous Liaisons; however, I was too intrigued to even think about leaving the theater. I finished the day with Shrink, which also failed to live up expectations. The film starred Kevin Spacey (who I love, love, love!), and yet it was one of those dramas that is all about strangers whose lives are connected by a totally unrealistic coincidence.

• Jessica hanging out with her beary buddy. Photograph by a kind stranger. •

The buses of Park City are fantastic! Not only are they completely free, but they run on time! At every stop there is a volunteer who wants to help you arrive at your destination in the most expedient way. When a crowded bus stops, the driver often says (with a very polite tone), “Everybody get friendlier, I need to get five more people on this bus.” Then everyone squishes together with few complaints. Amazing! With the snow and cold everyone wants to stay warm from the collective body heat. And did I mention that the buses are almost always on time?

• The Uptown Fare restaurant. Note the “Open” sign and the “Locals Only Club” banner. Photograph by Jessica Mosby. •

Multiple times a day I walk by the Uptown Fare restaurant, and I always peak in and wonder if it is ever open. Well, apparently it never is during the festival - except this year. But unless you have a local ID, the bouncer won’t let you in; exceptions are made for festival volunteers. This might be a terrible business model, and yet it is extremely respectable. Not everyone wants Paris Hilton (who is at Sundance for reasons only known to her) patronizing their establishment.

This morning I woke up early, bought my obligatory cup of coffee on Main Street, and then took the bus to a morning screening of Afghan Star. The film follows four contestants on the Afghani version of American Idol! I have reviewed a number of documentaries about Afghanistan for The WIP – and Afghan Star was the first film that showed Afghans smiling and happy! The film, which I hope to review, captures the cultural and generational differences that continue to divide Afghanistan, so it’s not all fun and singing. I was so impressed with how organically the documentary evolved, and how courageous the two female contestants were in the face of an oppressive patriarchal society.

When I left the theater, I couldn’t help but shake my booty (something forbidden on the reality show) all the way down the street. The two finalists of Afghan Star are planning international tours, and I can’t wait!

• Bike racks at my number one hang out – the transit center! Photograph by Jessica Mosby. •

Serious documentary films have the power to bring attention to important issues – that’s why I love them! During this morning’s [previously mentioned] panel discussion, Samantha Power talked about how films can be a “Trojan horse” to get people interested in serious topics. But seeing too many depressing films in a single day is not a good idea. Trust me.

Having a good time at any film festival requires a balance. You must mix heady documentaries with laugh-out-loud comedies and fictional dramas, if you’re going to have a good time and stay enthused. I am capable of seeing five movies in a single day and staying interested in every single one, but I need some diversity.

• With such fierce competition, some films find original ways to stand out. End of the Line employed a mascot. It worked, at least on me, since I will be seeing the film before I leave Park City. Photograph by Jessica Mosby. •

I started the festival with the opening night selection: Mary and Max. The Australian claymation animation film is about two very different pen pals (an 8 year old Australian girl and a 44 year old autistic man living in New York) who send letters and chocolate across the globe for 20 years. I have no feelings, positive or negative, regarding claymation; I did like how the twee of claymation was contrasted by a rather serious and mature story. At times I got so caught up in the characters that I completely forgot that I wasn’t watching real people.

Since I review documentaries for The WIP, I have seen at least two a day. While I don’t want to reveal too much about films that I will be reviewing, I will say that biopics about crazy people (or people going crazy) seem to be big this year. Today I saw The Carter about the rapper Lil’ Wayne, who is downright bizarre, and yet surprisingly committed to his art. Big River Man is like a real life version of Werner Herzog’s Aguirre: The Wrath of God, expect this time the protagonist is swimming, not rafting, down the Amazon river. But the insanity part rings very true. An interesting subject doesn’t make for an interesting film, as I learned this evening at When You’re Strange, which makes the madcap life of Jim Morrison relatively dull.

Tonight on the bus ride back to my hotel, I heard some other people saying that they might see Spring Breakdown tomorrow. I quickly interrupted, “You MUST see it! It’s so funny!” The comedy features many Saturday Night Live stars at their best! I know that it is not an award-winning piece of cinema; however, that 90 minutes of fun rejuvenated me for another four documentaries about the world’s worst problems.

• Eager fans, and camera crews, wait outside the Egyptian Theater. Photograph by Jessica Mosby. •

After the screening, I walked across the street for a bagel, cider, and a copy of Variety at the New York Lounge. There was a new food table with bags of delicious popcorn (you might be sensing a theme at this point – I love free food!), and sitting by the table was none other than Michael Cera! I loved Arrested Development, so I was particularly excited to see him just hanging out not drawing much attention. I later went back for a second look (and for a bag of popcorn…I was too distracted the first time to actually take a bag); I thought about saying something, but I couldn’t think of anything clever enough – and I was suddenly very nervous. Maybe Michael Cera is this year’s Adrian Grenier! I’m even more excited to see Michael Cera’s new film, Paper Heart, later today!

• Crowds follow Denise Richards down Main Street. Photograph by Jessica Mosby. •

We live in crazy world when Michael Cera sits alone in the New York Lounge near the popcorn table completely unnoticed, and Denise Richards is followed down Main Street by a crowd. Or maybe, it’s all about how well you [willingly and scornfully] court publicity?

• Too many films to see! Photograph by Jessica Mosby. •

What makes Sundance, or really film festivals in general (although nothing compares to Sundance), great is that you get to see a film with 1,200 other fans who totally enhance the experience with their energy and enthusiasm. Then, post-screening, you get to see the directors, producers, and stars answer audience questions! I am terrible at spotting celebrities, so unless someone’s name is announced on a microphone, I am oblivious.

• Carlos Cuaron and Gael Garcia Bernal on stage after Rudo y Cursi (note the velvet blazer)! Photograph by Jessica Mosby. •

• The 500 Days of Summer gang! Photograph by Jessica Mosby (from the balcony). •

Tomorrow I promise a full report of all the films I’ve seen. Oh, and of course the parties!

I arrived in Park City, Utah late Wednesday night for the annual Sundance Film Festival! This being my second time at the festival, I knew, at least in part, what to expect. Last year I arrived early in the morning on the second day of the festival (the first day of film screenings), and everywhere I turned there were crowds of people and countless celebrities. While I had a fantastic time at the festival, I felt rather overwhelmed by the number of film screening (in hindsight, maybe I didn’t make the best choices when it came to which films to watch), the crowds of people, and the level of celebrity.

• Crews putting the finishing touches on Park City’s Main Street. Photograph Jessica Mosby. •

• Jessica modeling her new Sundance water bottle while looking like a marshmallow in her down coat (note the large press pass). Not particularly stylish, but very warm! Photograph by a kind stranger. •

• Robert Redford and Geoff Gilmore at the Opening Day Press Conference. Photograph by Jessica Mosby. •

Just so you don’t think all the glitz of Sundance is gone this year, at yesterday’s New Frontier Press Preview I was offered “Authentic French Absinthe” Le Tourment Vert (an official festival sponsor). Did I mention that it was noon? I declined, and opted for a glass of red wine to accompany my complimentary sandwich and brownie.

A week after our historic presidential election, PBS (as part of Frontline) will be broadcasting Boogie Man: The Lee Atwater Story. I reviewed the film a few weeks ago, and it’s a very engaging documentary!

When I lamented that the Summer Olympics were ending after only a mere two weeks of sporting, a friend remarked “That’s what makes them special.” Touché. I am already counting the days until London 2012.

Since August 8th, I have spent almost evening watching the Olympics – and I don’t even watch much television. I have cheered for gymnasts, swimmers, and other Americans until 1 a.m. only to wake up for another sleep-deprived day of work. Why were my favorite events always on so late at night? Throughout the work day, I have spent my breaks and lunches catching up on Olympic news and controversies. America’s reputation in the world may be at a low point, but during the Olympics patriotism is not only accepted, it’s encouraged!

This is not to say that I only cheered for American athletes. Usain Bolt’s gold medals were awe inspiring – actually, watching almost every Jamaican athlete was thrilling! And Samuel Kamau Wansiru of Kenya (who won the gold medal) had me glued to the TV during the marathon!

My laments are few: I have Michael Phelps fatigue. Yes, I know he is an amazing swimmer, but he is not the only athlete at the games. Let’s profile someone else, just for a moment. Please. In women’s gymnastics, I do not believe that all of the Chinese gymnasts are 16; Nastia Liukin shouldn’t have lost the gold medal [in a tiebreaker] on the uneven bars to He Kexin.

Finally, I must admit that I occasionally watched the Olympics on mute. In some events (gymnastics comes to mind), the commentary was helpful. In other events (synchronized diving), the commentary was harsh and confusing – the splash didn’t look that big to me. What really pushed me over the edge, was all of the assumptions. During the Men's 4x100-Meter Medley Relay, the commentators were particularly annoying. They kept saying, “Jason Lezak can’t do it. He can’t catch up. No way. Wait, he catching up. Wait he won the race. How did that happen?” Why can’t the commentators just report on what’s happening, not declare the winner before the race even starts.

Only four more years…

Gypsy Caravan (my first review for The WIP!) is coming out on DVD next month. One of its stars is also on tour; here's a very interesting article on Queen Harish. I can't wait to see the film again!

The fun and incredibly compelling documentary King Corn (which I reviewed for The WIP in November) is currently showing on PBS. I'm so happy that this important film, which I often find myself thinking of, is available for everyone to see!

I was saddened to hear that the director Anthony Minghella died yesterday. I must watch the English Patient this weekend.

In an effort to use less plastic, I no longer buy water bottles; instead, I have a reusable bottle that I fill with tap water. But drinking the tap water is sadly not an option for many people, especially lower-income rural workers as discussed in this NPR piece. It is unacceptable that children cannot drink out of school drinking fountains, and there are no consequences for the businesses that have contaminated the drinking water.

In honor of Women's History my month, KQED has posted some great content that can all be viewed online.

Since the weekend is almost here, I thought I would mention two documentaries that I can't wait to see:

- Dr. Bronner's Magic Soapbox - I'm a fan of the almond soap, especially when camping. Who knew there was such a dramatic story behind Dr. Bronner?
- Blindsight - An inspirational story of blind Tibetan teens climbing Lhakpa Ri (a 23,000 foot mountain on the north side of Mount Everest).

Here are a few things that have interested me in the last week:

A small story on NPR about non-profits (namely Habitat for Humanity) buying up houses and lots that were out of their price range a year ago. After hearing so much doom and gloom about the American economy, especially the housing market, it was refreshing to hear that at least non-profits can benefit from the downward economy.

Since I am all about D.I.Y. projects and reusing everything, I have long been a fan of ReadyMade magazine. I was very excited to read this interview with the magazine’s founder and editor-in-chief Shoshana Berger. She’s such an inspirational woman!

I exclusively drink milk from the Straus Family Creamery; milk just tastes better in glass containers! Buying milk in glass bottles that I then return to the grocery store also coincides with my plight to use less plastic and create less waste. I was understandably excited when I found Saint Benoît Yogurt in reusable terracotta containers at the grocery store last week. And it is the tastiest yogurt I’ve ever had!

I wanted to end my first blog entry on a feminist note. So, I will mention a new movie that I cannot wait to see: Girls Rock! I only regret that I’m too old to go to rock camp this summer.